"Emma Thompson"
Emma Thompson joins the SmartLess podcast for a wide-ranging conversation about her career spanning theater, film, and television, her childhood in theatrical families, writing adaptations like Sense and Sensibility, and her approach to character development across diverse genres. The hosts discuss her varied projects including Harry Potter, Alone in Berlin, and upcoming work like The Sheep Detective, while touching on broader topics like climate change in the UK, childhood screen time, and the value of boredom.
Summary
Dame Emma Thompson appears on SmartLess via video call from her London home office during a UK heat wave. The conversation begins with casual banter about the hosts' appearances on camera and their respective sports interests, before transitioning to Emma's extensive career. Emma discusses her comedic background in Cambridge's Footlight sketch group, where she performed with Hugh Laurie and Stephen Fry, and her original aspiration to become a comedian influenced by Lily Tomlin and Jane Wagner. She explains how she approaches character selection, noting that opportunities often come at the right moment in her life, citing Alone in Berlin as an example of a project that resonated with her interest in exploring British wartime trauma. Emma discusses her role as Professor Sybill Trelawney in the Harry Potter films, emphasizing that despite its massive cultural impact, she only spent about 30 days on set over the entire franchise. She describes the character development process as an instinctive rather than intellectual exercise, comparing it to meeting the right person at the right time. The conversation shifts to her theatrical work, including her acclaimed performance in Sweeney Todd at Lincoln Center with the New York Philharmonic 10 years ago, which she describes as utilizing every aspect of her abilities. Emma explains how she came to adapt Jane Austen's Sense and Sensibility for film, revealing that producer Lindsay Doran approached her after seeing a feminist sketch Thompson wrote about Victorian sexual ignorance. She discusses her other screenwriting work, including the Nanny McPhee films and an upcoming musical adaptation of that work by Gary Clark (who wrote for Sing Street). The hosts learn about Emma's new projects: The Sheep Detective, a murder mystery written by Craig Mazin about a murdered shepherd whose sheep solve the crime, co-starring Hugh Jackman. Emma shares details about her family background—both parents were actors who worked primarily in theater before television arrived—and how she grew up in London since age six. She discusses her parenting approach regarding screen time, mentioning she convinced her daughter that the television was broken for eight years and didn't allow a phone until secondary school at age 13. The conversation explores broader cultural topics, including the value of boredom for childhood development and imagination, the British experience of extreme heat during climate change, and the cultural differences in attitudes toward ice in beverages. Emma characterizes Europeans' skepticism about ice in drinks as a cultural norm, while the hosts (particularly Will, who is Canadian) express their fascination with readily available ice in America. The discussion touches on fan interactions, with Emma noting that she's respected rather than mobbed as a celebrity in Britain, and she describes keeping her Oscar and Golden Globe awards in high shelves or the bathroom to keep them "in their place." She advocates for a particular type of respectful fan engagement and explains that she rarely says no to fan requests, except sometimes when with her children. The hosts propose a show concept where Emma rediscovers England, with the suggestion that it could follow Stanley Tucci's model of traveling through regions with commentary and food exploration. Emma expresses her deep love for both London and Scotland (her mother's homeland), praising Scotland's wild, unbound countryside and England's character-filled communities. She discusses recent filming experiences in Cornwall and various English villages, expressing renewed appreciation for these locations. Throughout the conversation, Emma demonstrates her characteristic wit, thoughtfulness, and willingness to share personal anecdotes, while the hosts acknowledge they didn't actually ask her prepared interview questions but instead enjoyed a natural conversation.
About this episode
Have you been working on your faces in the mirror all morning? It’s Emma Thompson. Barney’s, Boredom, and Haggis. “Get in the ice, you’re gonna love it!” On an all-new SmartLess.
Key Insights
- Emma Thompson came to acting through sketch comedy at Cambridge, inspired by comedians like Lily Tomlin, and wanted to be a comedian before becoming an acclaimed dramatic actor
- Emma chooses roles instinctively when a project 'hits her right in the center,' such as Alone in Berlin which connected to her interest in exploring unhealed British wartime trauma
- Despite Harry Potter's massive cultural phenomenon status, Emma spent only about 30 days total on the franchise across all films, yet it remains what many people recognize her for
- Emma adapted Sense and Sensibility after a producer saw her feminist sketch about Victorian sexual ignorance and recognized she could adapt Jane Austen novels
- Emma's parents expected to work in theater and radio, but television arrived during her childhood, fundamentally changing the entertainment landscape they were prepared for
- Emma restricted her daughter's screen access by telling her the television was broken for eight years and didn't allow a phone until age 13 at secondary school
- Emma argues that boredom in childhood is valuable for imagination and that modern constant stimulation has damaged children's ability to manage being bored
- Emma keeps her Oscar and Golden Globe awards on high shelves or in the bathroom deliberately to keep them 'in their place' rather than displaying them prominently
Topics
Transcript
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